The ward for teenage girls in the McLean psychiatric hospital was as renowned for its famous clientele—Sylvia Plath, Robert Lowell, James Taylor, and Ray Charles—as for its progressive methods of treating those who could afford its sanctuary. Kaysen’s memoir encompasses horror and razor-edged perception while providing vivid portraits of her fellow patients and their keepers. It is a brilliant evocation of a “parallel universe” set within the kaleidoscopically shifting landscape of the late sixties.
Girl, Interrupted is a clear-sighted, unflinching document that gives lasting and specific dimension to our definitions of sane and insane, mental illness and recovery.[1]
I honestly really enjoyed this book. It’s a short novel, which makes it hard to include all the details and plot points you need to make a conventional book, but this isn’t a conventional book; its a memoir of Susanna and her real-life experiences that are written down so that we can see through her eyes and understand how she felt at that time in her life. It’s interesting how the book jumps backwards and forwards in time, skipping over details just to describe them later. It threw me off a little at first, but I feel like it’s a really good way to show the cognitive dissonance someone would have in a place like that, and how Susanna valued the actions that happened rather than the timeline that they happened in.
I appreciate how Susanna depicts her mental state in this book; in the beginning, we’re a little confused as to why Susanna doesn’t heavily object to being sent to a mental hospital, and she seems relatively sane compared to other characters. She regularly questions her sanity, or rather insanity, and doesn’t really believe that she needs to be there, although she does appreciate the safety of the hospital. As the book progresses, however, we see Susanna’s mental state slowly deteriorate, although it’s probably more due to the conditions of the hospital than anything else; she’s constantly being exposed to people in a worse mental state than she is in, and she’s being treated like she is insane. She has little freedom to do anything, and can only leave the wing of the hospital she is in with people to supervise her.
Despite this, almost all of the patients in the hospital, including Susanna, are okay with being in McLean and actually prefer it to the outside world, and we see that clearly in this book. Susanna talks about how the hospital is a “prison,” but it’s also a refuge from the overwhelming outside world. She constantly feels dehumanized, and like she doesn’t fit in to the real world, and that the only people that will accept her are the patients and nurses at the hospital. She uses this to justify her stay countless times throughout the book, and at the end, we can still see how Susanna is struggling 30 years later.
Overall, I think Girl, Interrupted is an amazing memoir that digs through the traumatic mind of someone in a mental institution in the 60s, and shows how these people aren’t “broken” or incurable, but real people with real experiences who need to be treated that way. We see how dysfunctional McLean is, and how none of the things they try to do to “cure” the patients actually work. This is a really good book that helps to give peopel insight into what these systems were like in the past, and I hope you guys will decide to read this book.
“But I wasn’t simply going nuts, tumbling down a shaft into Wonderland. It was my misfortune – or salvation – to be at all times perfectly concious of my misperecptions of reality. I never “believe” anything I saw or thought I saw. Not only that, I correctly understood each new weird activity.”
“This clarity made me able to behave normally, which posed some interesting questions. Was everybody seeing this stuff and acting as though they weren’t? Was insanity just a matter of dropping the act? If some people didn’t see these things, what was the matter with them? Were they blind or something?”
- Kaysen, Susanna. Girl, Interrupted. Vintage Books, 1993
